πŸ– Robert De Niro - Wikipedia

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The Irishman is the fourth in Scorsese's series of epic mafia pictures, following Mean Streets, Goodfellas and Casino; it is the latest variant of.


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Casino robert de niro joe pesci - thomas b. filmplakate in Ρ„Π°Π½ Π°Ρ€Ρ‚, Al Pacino in Scarface, who was Tony Montana, was the kingpin of drug trafficking.


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Robert Anthony De Niro Jr is an American actor, producer, and director. He is particularly His other critical successes include the crime films Heat () and Casino He starred alongside Ed Harris and Kathy Baker in the drama Jacknife. Co-starring Al Pacino and Van Kilmer, the film was released to wide acclaim;.


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Don Corleone Β· Gangster Movies Β· Casino Movie. Casino casino movie, gangster s, films, robert de niro, al pacino Al. Saved from smotri-umor.fun


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Robert Anthony De Niro Jr is an American actor, producer, and director. He is particularly His other critical successes include the crime films Heat () and Casino He starred alongside Ed Harris and Kathy Baker in the drama Jacknife. Co-starring Al Pacino and Van Kilmer, the film was released to wide acclaim;.


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De Niro nods along furiously. Pacino is in the groove. For years, The Irishman was little more than a rumour; plagued by delays, distractions and drop-outs , it looked odds-on never to make it out of the starting gate. Both acquired a reputation in their teens as a troublemaker: De Niro spent much of his youth in Little Italy, Manhattan; Pacino, three years older, grew up in the Bronx. A new character. But, bizarrely enough, Pacino and Scorsese had never worked together before. Trump β€” we can but hope β€” is quaking in his boots.

There may even be one of those two-inch ponytails that were popular in the late 80s in there somewhere β€” it is hard to see in the general tonsorial disorder.

I hope we do other films together, but like this? De Niro nods away, bottom lip almost wobbling, but there is no stopping Pacino. Most popular.

Both actors are well into their eighth decade: Pacino is 79, De Niro Did they get the willies confronting their younger versions? It is what it is. But, like a wiseguy fitted with a cement overcoat, it has landed thunderously in the middle of the autumn season, blowing away the rest of the awards-bait dross. Just as Frankie Machine was about to get the green light from Paramount, Scorsese did the unthinkable: he walked away and started over again. After reading it, De Niro took it straight to Scorsese. Reuse this content. De Niro abruptly resumes his affable persona and says goodbye; he and Pacino are swiftly escorted out. Show 25 25 50 All. Welcome, then, to the Al and Bob show. Or that is what we would like to believe, anyway. So long, in fact, that they started to get too old to play their roles as originally conceived. That is, until we got on to the matter of a certain US president, of which more later. Facebook Twitter Pinterest. Not likely. Order by newest oldest recommendations. De Niro was the key in finally getting The Irishman off the ground. It is a great manifesto for a living legend. And with that the Al and Bob show closes. As the encounter starts to wind down, one big question β€” arguably the biggest β€” remains unasked. When it is his turn to talk, De Niro is all business. Threads collapsed expanded unthreaded. The Irishman turns on the relationship between Hoffa, whose disappearance and presumed murder in remains unsolved , and Sheeran, a hitherto little-known mob figure who confessed to killing Hoffa, his longtime friend, to the lawyer Charles Brandt, who included it in his biography of Sheeran, I Heard You Paint Houses. I want him to go to jail. Pacino speaks in a barely audible bass rumble and is not short of waffle; De Niro, while not exactly monosyllabic, spends as much time nodding with his distinctive pursed-mouth underbite and says as little as he can get away with. Yet, more fundamental than any of this is the sense that The Irishman is a landmark reunion of the old neighbourhood: a last gathering of the clans, a final get-together before age and time overtakes them. Looking back, their acting careers did seem to blossom with a mysterious symbiosis. It came relatively easy, as those things go. Two big killings β€” those of John F Kennedy and Hoffa β€” are characterised as the outcome of mafia intervention in the political sphere. This is it. Do they still enjoy the job? Until you start. But the way he suddenly takes over the room is amazing to behold: eyes like gun-sights, he gives Trump both barrels. Sheepish guffaws ensue. But The Irishman roadshow rolls on. Hoffa and Sheeran provide suitably substantial figures for Pacino and De Niro to renew their on-screen confrontation, most vividly portrayed in the Michael Mann thriller Heat the cop comedy Righteous Kill was slightly less memorable. The gall of the people around him who actually defend him, these Republicans, is appalling. If it is about anything, The Irishman is about the gangsterisation of US politics, how the Cosa Nostra exploited opportunities to corrupt the electoral process and organised labour. Does he think Trump will go to jail? Next to stroll in is Robert De Niro , who β€” in dramatic contrast β€” looks like he has come in from a round of golf: shirt and sports jacket, grey-white hair slicked back. Observing them here, in an intimate room full of selected journalists, you see how their personalities contrast as much as their dress sense. For two such high-profile princes of the Italian-American sensibility, that feels like a mistake. Pacino gets a little dewy eyed; he looks a bit like a panda with a secret sorrow. He and Scorsese had been mulling another project about a retired hitman for years, The Winter of Frankie Machine, adapted from the novel of the same name by Don Winslow. A couple of times, Marty and I were going to do something together, then they slip away. Topics The Irishman. Loading comments… Trouble loading?